| St Mullin’s, on the bank of the Barrow
in Co Carlow, is a cultural stronghold that
has allowed the best and worst excesses of
the modern world to pass it by.
MANCHÁN MAGAN loves it ST
MULLIN’S, on the bank of the River Barrow in
Co Carlow, is somewhere you’ve likely never
been, but when you do go you’ll never forget
it. Five or six tiny winding boreens all
arrive at a higgledy bit of oblong medieval
commonage on top of a stunted hill, with a
steep Norman motte towering over it, and
right below you the broad, treacle-coloured
Barrow trundles by.
There’s something about the feel and
aspect of the place that screams early
Christianity, or even pre-Christianity. It’s
truly ancient, with even a touch of the
other world to it. There’s a straggly
graveyard, with hedgehog-spine tombstones
sticking out every which way, and the ruins
of an early Christian church, a monastery, a
round tower and a high cross.
It’s one of those cultural strongholds,
those remarkable locations that have allowed
the best and worst excesses of the modern
world to pass them by. It has maintained its
purity, its potency.
Ho hum, you say, just another forgotten
Irish monastic village: so what? Perhaps,
but remember the Barrow sweeping through:
that’s what makes this place so potent. The
wide, sweeping, chocolate-digestive-rippled
Barrow running between the Blackstairs
Mountains and Brandon Hill, as wild in parts
as the Orinoco or the Volga.
The village of St Mullin’s rolls down
into a wooded valley that has all the
remains of 19th-century river industry:
watermills, grain stores, towpaths, stables
for tow horses and barge facilities. It is a
time capsule of Ireland’s history from
pre-Christian times to what passed as our
attempt at an industrial revolution in the
mid-19th century. Not that such historical
treasures need concern your children or
impinge whatsoever on their enjoyment. The
great forest-lined expanse of river and the
silky stretch of canal running alongside
ensure there is plenty of adventure to be
had, particularly in summer, when a large
raft is anchored on the water for games of
king of the castle.
It is a haven for canoeists, hikers and
cyclists, as well as for those languorous
sybarites who wish to do nothing but lounge.
For them the weir beyond the canal lock
provides a natural outdoor jacuzzi: you just
stretch out on the rocks, one leg in Carlow,
the other in Kilkenny, looking up at
kingfishers flashing by and, if you’re
lucky, an otter hunting salmon.
Places such as these have been largely
forgotten since the demise of waterway
commerce. Lacking facilities, they weren’t
deemed suited to tourism – nowhere for the
compulsory tea and scones, or to rent a
kayak or bike or, god forbid, to stay
overnight. Such places were accessible only
to the adventurous types who brought their
families camping at weekends or set off at
cockcrow to bring the children on
expeditions while your brats watched morning
telly and gorged on Sugar Pops.
Thankfully, things are changing. A decade
ago one of these adventurous types, Martin
O’Brien and his wife, Emer, bought an old
Grand Canal Company grain store right on the
Barrow and converted its forge, coach house
and stables into holiday cottages; then,
this year, they transformed the grain store
itself into the cosy Mullicháin Cafe, with a
vast lounging library in the loft full of
sofas, fairytale books and paintings. Emer
is a fervent baker, so there’s generally a
hazelnut cake or walnut muffins straight out
of the oven.
It’s an impressive network of buildings,
in a spectacular location, that offers a
glimpse of how the river functioned as a
conveyor belt of early industrialisation:
the horse barges bringing wheat that had
come to New Ross by ship from Canada to the
Oldums mill next door; and the barges
carrying back local grain and other goods
that farmers had kept in the storehouse.
Each summer the area explodes into a riot
of pink as a direct consequence of this
trade: the Indian balsam that came from
Canada in grain sacks imported by Odlums
bursts into flower.
Although the Old Grainstore Cottages will
lend out bicycles and canoes to guests, and
even bring them on boat trips up the river
if they have time, the one activity that
must not be missed is the walk along the
towpath to Graiguenamanagh.
It takes about 90 minutes to get there
along a stretch of river that feels in parts
like the Canadian wilderness, with nothing
but a shimmering ribbon of water and the
reflections of birch and pine stretching
endlessly ahead. The world narrows to the
awkward flailing of mallards overhead and
herons picking their way like wary hawkers
along their riverside stalls. Nothing beyond
this particular moment seems to matter.
There is a starkness to the air, a rapt
intensity that heightens everything, gives
it an exaggerated brightness, an increased
pixilation that recalibrates one’s own
senses.
Often the only signs of life are the
barges, brightly painted, round-windowed
vessels lined up along the bank like
children’s toys in the bath. Their jaunty
sun canopies and cosy stovepipes give them
an inviting air.
I came across the owner of one barge who
was sitting on a SuperValu bag, fishing for
perch, and I longed to be invited inside for
a meal, feeling sure he could transform the
coarsest of fish into a delicacy with wild
garlic and thyme. Surly barge owners must be
the most fascinating, countercultural folk,
with exotic tales from Athy and other
far-flung mythologies.
On reaching Graiguenamanagh one could go
for coffee and wraps at Coffee on High, but
much better is to head to Mick Doyle’s
grocery and bar, one of the last remaining
civilised emporia where one can buy one’s
Bovril and bacon (not to mention sheep dip
and poultry feed) while enjoying a perfect
pint, sitting up at the shop counter with
the light slanting in through the front
window.
Afterwards, head up the road to
Cushendale Woollen Mills, run by a direct
descendent of the original Cushen family of
Flemish weavers, who arrived in the 17th
century and established a woollen mill near
the spot where the Cistercians had built
theirs in the 13th century.
Today Philip Cushen runs one of only two
remaining woollen mills in Ireland, using
looms and mules that are more than a century
old. His range of lambswool, mohair and
cotton chenille textiles, scarves, wraps and
stoles are lusciously dyed in tones that
Cushen gauges himself each year, and cost a
fraction of Dublin prices. As a result of
our recent disregard of traditional Irish
arts and crafts, he now exports most of what
he makes to the US and Scandinavia, but it
appears that he keeps some of his finest
product for this tiny treasure-trove shop.
If you’re really too exhausted to walk
back along the river, you can always give
the people at the Old Grain Stores a ring,
and if they’re around they’ll come and
collect you. It’s things like this that make
holidaying in Ireland so worthwhile. Where
else can you rent a cottage for €350 a week
and have the loan of bicycles and canoes and
even be chauffeured back and forth to the
train station?
It’s what comes from turning off the
beaten track. Everyone I met in St Mullin’s
seemed delighted that a tourist would choose
to come here. It’s not that they don’t
appreciate what they have themselves – quite
the opposite, in fact; there is enormous
pride of place, as shown by the pristine
state of the village and St Moling’s ruins.
The village and surrounding valley have
that indefinable quality that was sacrificed
long ago in Glendalough and Clonmacnoise to
the demands of mass tourism. There are no
coach parks, postcard racks, ice-cream
sellers. Though St Moling died in 696, he is
still a palpable presence in the area, and
the party held for his 1,300th anniversary,
in 1996, is still the talk of the village,
as is the seeming disregard with which
Trinity College treats his manuscript, the
Book of Moling, in comparison to its Kells
cash cow. This is a raw wound that is best
left unmentioned.
St Moling has a roll in everything here,
including the annual twaite shad angling
championships held each May. The twaite
shad, a rare and mysterious fish, was first
sent up the Barrow by Brendan the Navigator,
who was playing a trick on St Moling. To get
a good overall sense of the area’s history
you ought to visit the heritage centre run
in the old church by the effervescent Anne
Doyle: it’s a classic example of local pride
in place: a jumble of old irons, Bovril
tins, scythes and folk tales about St Moling.
Doyle will tell you about Michael
Flatley’s granny, who taught Irish dancing
in the area, and her 103-year-old neighbour,
who was still chatting up the local boys in
the weeks before she died. You’ll learn the
exact number of people left beheaded after
each Viking raid, in the ninth and 10th
centuries, the heroic role the village
played in the 1798 Rebellion, the details of
the life of Art MacMurrough-Kavanagh – the
last king of Leinster, who’s buried right
outside – and, of course, more about St
Moling than you’ll ever need to know.
Possibly the most germane fact worth
taking from St Moling is that, just like
Rasputin, the Mayans and the Hopis, he
prophesied doomsday. According to his
calculations, it’s due in the year that
August 29th falls on a Tuesday and Easter
Sunday on April 25th. Decimation will hit
Ireland from the southwest: “A furious
dragon will bury all before it. As a black
dark troop will they burst into flames, they
will die like verbal sounds.”
Don’t say you haven’t been warned. |